The Complete Essays - Luigi Ghirri
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The Complete Essays - Luigi Ghirri

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Published for the first time in English, The Complete Essays 1973–1991 comprises sixty-eight texts in which Ghirri explores the same subjects at the core of his photographs – the themes of identity, time, memory, vision, representation, and sense of place. As a voracious reader with a particular taste for the eclectic, Ghirri also reaches outwards from his own practice to explore the history of photography as he considers the work of Walker Evans, William Eggleston, Robert Adams and John Gossage, weaving in references to musicians, writers and painters alike. As themes and ideas overlap, the compilation of texts create a sort of dialectic chamber of curiosities that includes Gulliver, Van Gogh’s yellow house, Cézanne, Morandi’s studio, Mallarmé, the fireworks above Trani Cathedral, neo-realist films, lots of music, Francis Bacon, McLuhan’s global village, Pessoa, poetry. Together, the essays offer an unintentional yet comprehensive treatise on the history and theory of photography, and above all, they constitute a special form of autobiography.

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Sizing + Details

240 pages
50 colour plates
14 cm x 22.8 cm
68 essays, 65,000 words
Publication date: June 2016

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The Complete Essays - Luigi Ghirri
The Complete Essays - Luigi Ghirri
The Complete Essays - Luigi Ghirri
The Complete Essays - Luigi Ghirri
The Complete Essays - Luigi Ghirri

Luigi Ghirri

Born in Scandiano in 1942, Luigi Ghirri spent his working life in the Emilia Romagna region, where he produced one of the most open and layered bodies of work in the history of photography. He was published and exhibited extensively both in Italy and internationally and was at the height of his career at the time of his death in 1992.