Description
A substantial statement ring with braided sides that curve gracefully into an organic setting that holds a large egg-shaped citrine cabochon. Each piece is created with recycled 14k gold and made entirely in New York City by a family-run collective of local jewelers. The stones are ethically sourced and hand cut and polished by a family-run lapidary in New York.
Sizing & Info
Each piece is made to order and takes approximately 4-6 weeks to ship.
Additional sizes can be ordered, please email info@kindredblack.com to inquire.
Our stones are natural and like any material from the earth, may vary slightly in color and character from piece to piece.
Shipping & Returns
Free standard shipping on orders over $150 within the United States. Orders under $150 ship for a flat rate of $10. Expedited options are available, more info here.
Items purchased on kindredblack.com are eligible for return provided that they are returned within 14 days of the ship date and in new, unopened, unused, and undamaged condition. Opened products and custom orders are final sale.
All of our Kindred Black Collection jewelry is created with recycled 14k gold and sterling silver and each piece is made entirely in New York City by a family-run collective of local jewelers. Our stones are ethically sourced and hand cut and polished by a family-run lapidary in New York.
A warm, honey-colored variety of quartz, citrine has become a natural symbol of security and happiness. The name citrine, from the French citron, meaning “lemon,” came later, during the 16th and 17th centuries, and though ancient societies found meaning and lore in yellow and golden stones, they are difficult to identify definitively as citrine. At times known as the “merchant’s stone,” citrine has been worn as a talisman to protect wealth and attract success. Because it appears to hold warmth and light within it, the stone has also taken on an aura of positivity, optimism, and the successful manifestation of intentions.
The Virtues of Ancient Light
The traditions of mystery and divination have deep roots in the ancient Greek and Roman worlds. So much of the imagery that would later become associated with the occult originates in these ancient societies — the oracle, the seer, discovery through dreams and prophecy. At the time, there was no clear divide between religion, medicine, and mysticism. Almost anything in the natural world could act as an instrument of protection or divination because people believed that plants, stones, metals, and other materials could possess powers of their own. They sought visions of the future in bowls of water and other reflective surfaces, used plants in rituals to influence the weather, and wore gems and stones as amulets to repel evil, invite good fortune, or invoke protection from the gods.
This idea that matter itself could possess distinct virtues persisted for centuries. Throughout the nineteenth century revival of occult and mystical practices, amulets and charms were worn for protection and their perceived spiritual properties. Across mystical history, the natural world was understood not as passive, but as alive with hidden properties that could help to make the world more ordered and less dangerous.
The Virtues of Ancient Light is our first in-house jewelry collection, drawing heavily on history’s symbolic language of stones and the enduring human desire to imbue objects with meaning.